Ahola, Marja & Lassila, Katri, 2022. Mesolithic shadow play? Exploring the performative attributes of a zoomorphic wild reindeer (Rangifer tarandus) antler artefact from Finland. Time and Mind, Volume 15, 2022 - Issue 2https://www.tandfonline.com/author/Ahola%2C+Marja
Boyd, B. 2009. On the Origin of Stories: Evolution, Cognition, and Fiction. Harvard: Harvard University Press. https://chooser.crossref.org/?doi=10.4159%2F9780674053595
Chen, F. P. 2003. “Shadow Theaters of the World.” Asian Folklore Studies 62 (1): 25–64.https://www.jstor.org/stable/1179080
Clottes, J (2013) Why did they draw in those caves?Time and Mind: J. Archaeol. Conscious. Culture, 6 (1) (2013), pp. 7-14https://scholar.google.com/scholar_lookup?title=Why%20did%20they%20draw%20in%20those%20caves&publication_year=2013&author=J.%20Clottes
Fritz, Carole and Tosello, Gilles (2015) From Gesture to Myth: Artists’ techniques on the walls of Chauvet Cave. Palethnologie Vol 7 2015b https://doi.org/10.4000/palethnologie.876
Gray, Martin Paul (2010). Cave Art and the Evolution of the Human Mind. Open Access Te Herenga Waka-Victoria University of Wellington. Thesis. https://doi.org/10.26686/wgtn.16985266.v1
Lundborg, G. (2014). Handprints from the Past. In: The Hand and the Brain. Springer, London. https://doi.org/10.1007/978-1-4471-5334-4_5
Menu M. Cave Paintings: Structure and Analysis. MRS Bulletin. 1996;21(12):48-53. doi:10.1557/S0883769400032115 https://www.cambridge.org/core/journals/mrs-bulletin/article/abs/cave-paintings-structure-and-analysis/EE5CE39C4F10B806FA2EA7A9F6CC4BC2
Płonka, T. 2003. The Portable Art of Mesolithic Europe. Acta Universitatatis Wratislaviensis No. 2527. Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego. https://scholar.google.com/citations?view_op=view_citation&hl=en&user=OrzKcz4AAAAJ&citation_for_view=OrzKcz4AAAAJ:eQOLeE2rZwMC
Sharpe, Kevin & Van Gelder, Lesley. (2007) Human Uniqueness and Upper Paleolithic "Art": an Archaeologist's Reaction to Wentzel van Huyssteen's "Gifford Lectures". American Journal of Theology & Philosophy Vol. 28, No. 3, A Conversation on J. Wentzel van Huyssteen's Gifford Lectures (September 2007), pp. 311-345 (35 pages)https://www.jstor.org/stable/27944416
Standish, Christopher D. García-Diez, Marcos, O'Connor, Sue, Nuno, Oliveira (2020) Hand stencil discoveries at Lene Hara Cave hint at Pleistocene age for the earliest painted art in Timor-Leste. Archaeological Research in Asia Volume 22, June 2020, 100191 https://doi.org/10.1016/j.ara.2020.100191
Vang Petersen, P. 2019. “Zigzag Lines and Other Protective Patterns in Palaeolithic and Mesolithic Art.” Quaternary International 573 (2): 66–74. doi:10.1016/j.quaint.2019.09.029.https://www.sciencedirect.com/science/article/abs/pii/S1040618219307657?via%3Dihub
Willcox, A. R. "Hand imprints in rock paintings." South African Journal of Science 55.11 (1959): 292-298. https://journals.co.za/doi/pdf/10.10520/AJA00382353_684
Wisher, Izzy & Needham, Andy. (2023) Illuminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use. Journal of Archaeological Science: Reports Volume 50, August 2023, 104102 https://doi.org/10.1016/j.jasrep.2023.104102